Suds is in LA and here are some of his findings. Questions may be sent to ssaria1@ithaca.edu. He would love to answer them. Start by reading his FIRST POSTING... Welcome.

Tuesday, May 24, 2005

O YEAH!

O Yeah Reason 1: Our blog hit a 1000 hits sometime this weekend. Lots of readers, but not as many responses. Buh!
O Yeah Reason 2: The Bernie Mac Show has been picked up for another season by Fox. Here's to a fantastic Season 5!
O Yeah Reason 3: The teaser trailer for AKEELAH AND THE BEE is out! You can go to www.apple.com, click on Quicktime, and then Movie Trailers and see the Akeelah trailer there. Its really a funky feeling to see all the familiar spaces and moments on a giant screen (It's attached to the film CRASH too). More than anything, its extremely satisfying to be able to decode lighting set-ups by looking at the screenshot. It just demystifies the process so much!
Anyway, feedback welcome. Questions welcome.

Tata ~Suds

Sunday, May 22, 2005

Crash

I just saw it for the second time. A friend I was with said it best when he said, "I'd rather the film trigger a response, whether positive or negative, than not." I agree. Here's to thought-provoking, debatable films!

Wednesday, May 18, 2005

Think Contribute Enjoy

Still Truckin'

Something I have been thinking about since I have been in LA = how will we get our movies made. There are obviously a hundred ways to do this. And one of the easy ways to research the subject is to read filmmaking books. There are so many of these: one for every one of us, to suit our level of comfort with the topic. One of the things I was thinking of was starting a discussion on what different people think. I just don't want to be the one talking. Also, I realize its summer vacation and people want to recuperate: so based on the response, I will either keep this post up or take it down and pretend it never happened :) But this is a chance to start a discussion, so here goes. If people submit responses to iamsuds@gmail.com. I can do a little anthology deal and we can publish it for all to share and comment on. If there are other questions we want to start discussions on, throw them in

Book I'm reading: Down and Dirty Pictures by Peter Biskind [History of Indy Film from 1989 on] + The Movie Business Book, edited by Jason Squire. Biskind recommended, 2nd one I don't know for sure yet. Also on the anvil: Quicktime for Filmmakers by Richard Ferncase [plenty of info on the technical-how-tos for QT = self distributing on the web].

Tuesday, May 10, 2005

Peace Out or Go On?

Im sitting at a friend's apartment, watching The Village, just recuperating from this fantastic semester here in LA. I know it's been a while since I last posted and I've learnt more that I wanted to write about in these last few days.

We had the wrap party for Bernie Mac yesterday night at The White Lotus: excellent place. It was a happy and sad night for me, saying bye to all these people who have shared so much with me: their knowledge, time and energies: PLUS they were humble enough to never make me feel naive or stupid. I must say, I am a changed person from four months ago. Four months ago, I was DREADING this. I did NOT want to come to Los Angeles. From my conversations with previous ICLA students, it seemed like this was a semester of relaxation, fun and games and just chilling out. Internships = getting coffee because stapling paper is too complicated for that new intern. And I thought the place was simply too expensive for a hot-tub, some beaches and cups of coffee. And, like I said, I am a changed man. LA is what you make of it and, like I've said before, for every ten bad internships, there is ONE good one. So, everyone has to just find the right internship for them and trust me, its out here.

Everyone: people at STRAND RELEASING, AKEELAH AND THE BEE, BERNIE MAC, SCRUBS, SURREAL LIFE, WATERFALL FILMS, all these places I worked at were just fantastic. Now, does that sound unreal? Well, it kind of is. OF COURSE, every place had its' share of warts and dicks, but you can get through to everyone. Some people are just harder to crack. Some just don't want to, and you need to realize that and move on. I will also say this: At EVERY single one of these internships, I found as many people who were against me, didn't like the idea of me taking initiative and doing more than interns traditionally did. Lots of these places have never even had interns so didn't know how to slot me, but each one of them came around and as I was saying bye to people, I was thinking of how different they were towards me before. All's well that ends well and so far, everything has ended really well in LA.

Thank you guys for all your questions and comments. I know I didn't answer them or post them all. If you still have more, send em off to iamsuds@gmail.com. And I don't think I'm going to kill this blog. I will post summer updates here. Any internship opportunities or other things I hear of. I have a packed summer ahead with lots of work on different films. One of the things I wanted to reach out to you for was a CALL: If any of you are interested in collaborating, I'm going to be doing a pretty ambitious project next year. Give me a call at 323-333-9235 if you would like to discuss this. Communities are why we came to film school. The point is to find your gang by the time you graduate. So, reach out.

That's all I got. I will try and update soon, Suds

Monday, May 09, 2005

The Bernie Mac Musical

Something Interesting:

I honestly don't have the energy for a big-size post but here is a tidbit I just came across last week. The Producer of Bernie Mac gave me a copy of their Season One DVD when I was saying bye to him ( I know, isnt that awesome) and we got into a conversation about what a DVD producer does. Turns out the music (and there is a lot of it on the show) on the DVD is different from what it was when the episode aired. The reason being when the show gets rights to the music for the air, the contract does not include DVD rights (because most shows don't make it to DVD). When these guys renegotiated rights, some artists want royalty or points on DVD sales as payments where as some artists accept flat fees and grant rights in perpetuity. Fox only wants perpetuity rights because who knows how many units it will sell over the next ba-jillion years. So they had to change some of the songs, which of-course, changes the edits. Hmm...

(also, I hate doing this, but I just got done seeing THE TERMINAL and I really have a BAD headache, It goes on my worsestest films list - an instant fix. Doc. Trope, on the other hand, showed us some amazing flicks in his class. His picks from the complete works of spike jonze, gondry are esp good. The Purple Rose of Cairo goes on my best films list. He rocks. Definitely take Fiction Film Theory here).